video-restyler

On the rail as video-restyler, flux-3-edit.

When to use it

Changing a clip you already have: swap or remove an object, relight it, replace the background, or change its style or mood, in words or from a style image. Capture moves a picture along a path you draw; Stop motion redraws every frame.

When to reach for something else

Capture authors motion from a reference image; it is not a general portrait color-editing mode. A clip with pictures of who should be in it goes to Raven, which recasts it.

How to use it

1. Use the card’s Video & style area. The clip to change, and an optional style picture. Write the change or let the style picture set it.
2. Set Draft first on the card.
3. Pick a model in the pill at the top of the card, or keep Rothko.
4. Press Run.

On the card

Control	What it does	Choices
Video & style	The clip to change, and an optional style picture. Write the change or let the style picture set it.
Draft first	Renders a 480p draft of the new look. Finish the one you like in 1080p, within seven days.	On or off
Run	Starts the run. The number on it is what this run costs in credits, worked out before you press.
×1	Runs the card several times in a row with the same settings.	1 to 99

Models

The pill at the top of the card picks the model. Rothko is the one a new card starts on.

Model	Good for
Aleph 2	Editing a clip you already have from a plain instruction: swap or relight an object, change the background or restyle the look, with the source motion and timing kept, and up to 5 keyframe images pinning an edit to a moment.
Kling Omni Std	Transferring a style image onto a motion video at 720p: the image supplies the subject, the clip supplies the motion and camera, and the output keeps the timing. The lower-cost of the two Kling tiers.
Kling Omni Pro	The same style-image plus motion-video transfer at 1080p, with higher fidelity than the Standard tier: the image supplies who or what is in the shot, the clip supplies how it moves.
Seedance 2.0	Restyling a motion clip under a new look from a prompt and an optional style image, with the original motion and camera preserved: 4 to 15 seconds, up to 1080p, optional generated audio.
FLUX 3 Edit	In-place edits of a clip from a text instruction: swap a character, rebuild the background, restyle the shot or rewrite a spoken line with lip sync following it, with motion, timing and framing kept. Billed per second of the source clip.
Rothko	Making a playblast, previz or greybox out of 3D into the finished shot from words alone: the camera, the staging and the timing follow the clip, and the words say what each shape becomes and where the shot happens. 4 to 30 seconds.
H3 Max	Turning a Blender or astra playblast into a photoreal shot that keeps its layout, camera and timing, steered by up to eight reference pictures of the characters and places; one continuous shot of 5 to 15 seconds, 480p to 1080p, with sound.
LTX 2.3	Turning a viewport or hardware render from your 3D software into a photoreal clip with the same motion and framing, with a Light or Strong intensity and an optional still beauty render pinned as the first frame.
Ray 3.2	Capture on Video Restyle: drop a still, drag a circle across it to draw a 3 to 10 second motion path, and the moving shape becomes the subject you name, with a strength dial from adhere to reimagine.
Stop motion	Stop motion: footage redrawn as hand-made animation, every frame repainted in a look described in words, per material, while the composition and the motion stay exactly as filmed.

Aleph 2

Not the one for: The source clip must be 2 to 30 seconds and under 16MB, and the result keeps its length and shape; it edits footage rather than animating a still, so it needs a video to start from.

Behind the settings button:

Setting	What it does	Choices
Seed	The starting dice roll. The same seed and settings give the same result every time; change it for a fresh variation, or leave it at -1 for a new random one.	A number

Kling Omni Std

Not the one for: Needs both a style image and a 3 to 10 second motion video; duration and aspect follow the video, and output tops out at 720p, so a 1080p deliverable wants the Pro tier.

Behind the settings button:

Setting	What it does	Choices
Negative prompt	List what you do NOT want to see, like blurry or extra limbs.	Your words
Keep original sound	Carries over the original video’s sound.	On or off

Kling Omni Pro

Not the one for: Needs both a style image and a 3 to 10 second motion video and costs more per second than the Standard tier; it cannot edit a clip from text alone.

Behind the settings button:

Setting	What it does	Choices
Negative prompt	List what you do NOT want to see, like blurry or extra limbs.	Your words
Keep original sound	Carries over the original video’s sound.	On or off

Seedance 2.0

Not the one for: The motion clip is required and must be 480p to 720p and under 50MB; reference-clip seconds are billed on top of the output length, and there is no strength dial.

Behind the settings button:

Setting	What it does	Choices
Resolution	How big and detailed the result is. Higher looks sharper but costs more and takes longer.	480p, 720p, 1080p
Generate audio	Generate synchronized audio in the same pass.	On or off

FLUX 3 Edit

Not the one for: The clip must be an MP4 under 15 seconds and the result is exactly as long as the input; it cannot lengthen a clip and takes no style image.

Behind the settings button:

Setting	What it does	Choices
Safety tolerance	How permissive the content filter is. 0 is strictest, 4 is most permissive.	0 to 4

Rothko

Not the one for: It takes no pictures: pictures of the look go to H3 Max on the same source, and pictures of who should be in the shot go to plnty-raven. It needs a few words to run.

Behind the settings button:

Setting	What it does	Choices
Resolution	1080p adds a finishing pass for detail and takes longer.	480p, 720p, 1080p
Seed	The starting dice roll. The same seed and settings give the same result every time; change it for a fresh variation, or leave it at -1 for a new random one.	A number

H3 Max

Not the one for: It needs one continuous shot: a clip with cuts fails. The camera and the motion come from the playblast, so words cannot change them, and it stops at 15 seconds.

Behind the settings button:

Setting	What it does	Choices
Resolution	Each step up looks sharper and costs more per second.	480p, 768p, 1080p

LTX 2.3

Not the one for: Made for CG renders, not for restyling live footage; output is 480p or 720p, and the bill follows frames (duration times fps), so the frame rate is the cost dial.

Behind the settings button:

Setting	What it does	Choices
Intensity	How hard to push toward photoreal. Light keeps the render’s look, strong transforms it more.	Light, Strong
Resolution	Output resolution (short side). Higher looks sharper and costs more credits.	480p, 720p
FPS	Playback speed of the output. Also sets how many frames the clip becomes, so it scales the credit cost.	8 to 60
Generate audio	Add a generated audio track to the output video.	On or off
Steps	Quality vs speed. More steps look better but take longer.	15 to 30
Guidance	How strictly the model follows your prompt. Higher sticks closer to the text.	0 to 10
Negative prompt	Things to steer away from. Leave empty to use the model default.	Your words
Expand prompt	Let the model expand your prompt before generating. The 3DREAL trigger is always kept.	On or off
Safety checker	Run the content safety check on the result.	On or off
Video quality	Encode quality of the output file.	Low, Medium, High, Maximum
Write mode	Trade encode speed against file size.	Fast, Balanced, Small file
Seed	Fix the random seed to reproduce a result. Leave empty for a new random each run.	A number

Ray 3.2

Not the one for: Capture only: it does not restyle a clip you already have, which is 2D/Footage or Playblast on the same card; HDR doubles the cost.

Behind the settings button:

Setting	What it does	Choices
Strength	How far to reinvent the clip: Auto lets the model decide; adhere keeps it close, flex balances, reimagine lets the prompt drive. Ignored when any conditioning signal is on.	Auto, Adhere 1, Adhere 2, Adhere 3, Flex 1, Flex 2, Flex 3, Reimagine 1, Reimagine 2, Reimagine 3
Resolution	How big and detailed the result is. Higher looks sharper but costs more and takes longer.	540p, 720p, 1080p
HDR	Cinema-grade HDR color. Needs 720p or 1080p, and doubles the credit cost.	On or off
Pose conditioning	Lock the output to the source clip’s motion and pose. Overrides the strength preset.	On or off
Pose detail	How tightly pose tracks the source: precise is strict, coarse is looser.	Precise, Coarse
Face conditioning	Preserve facial identity from the source clip. Overrides the strength preset.	On or off
Depth conditioning	Hold the source scene’s depth and layout. Overrides the strength preset.	On or off
Depth blur	Soften the depth signal. 0 keeps the model default; higher blurs it.	0 to 1
Normals conditioning	Condition on surface normals (shading direction). Overrides the strength preset.	On or off
Normals detail	Strength of the normals signal. 0 keeps the model default.	0 to 1
Trajectory conditioning	Condition on motion trajectory. Overrides the strength preset.	On or off
Trajectory sparsity	How sparse the motion sampling is. 0 keeps the model default.	0 to 1

Stop motion

Not the one for: It takes the look in words only, never a style picture, which would drag the motion toward its own pose. Cadence changes the texture of the wobble, not the length or the camera move.

Behind the settings button:

Setting	What it does	Choices
Cadence	The animation’s frame rate. On twos (12 fps) is the classic hand-drawn stop-motion feel; on ones (24) is smoother, on threes (8) is choppier. The output always plays the full length of your clip.	On ones, On twos, On threes
Quality	High paints 4 frames per generation instead of 8, so every frame comes out larger and sharper. Costs about 2x the credits.	Standard, High